Showing posts with label conor oberst. Show all posts
Showing posts with label conor oberst. Show all posts

Friday, December 23, 2016

Top 10 Albums of 2016

Crikey, this was a hard list to make. So many ace albums had to be left off - I considered doing an 'honourable mentions' list as a way of recognising the albums that fell just barely outside my top 10, but that list could easily have included another 20 albums and I probably STILL would have had a crisis of conscience over any I missed out.

So instead of going down that road, I'd simply like to present my top 10 albums of 2016. These are the cream of the cream of the crop, and interestingly, two of them weren't represented at all in my Songs of 2016 list. Just goes to show that the whole is sometimes stronger than the sum of its parts, eh?

Once you've finished reading, feel free to tell me how wrong my opinions are on Twitter.

10) Still Valid by MJ Hibbett & The Validators

To call Still Valid a light-hearted album would perhaps be a touch misleading, given that it contains songs like Burn it Down & Start Again (about corrupt politicians) and The 1980s How it Was (about the hairspray whitewashing of a decade primarily characterised by poverty and nuclear terror). Still, MJ Hibbett's sense of humour always shines through, even - especially - when he's worrying about his age on tracks like Can We Be Friends? and That Guy. In fact, as I mentioned in my (and my mum's) review of Still Valid, Hibbett's lyrics have really helped me to stop worrying about the fact that I'm no longer in my early 20s.

Best Tracks: Can We Be Friends? // That Guy // We Did It Anyway


9) Adult Teen by Lisa Prank

Father/Daughter Records became one of my favourite record labels this year, and Lisa Prank's album Adult Teen is a big part of why (although I would also strongly recommend Air Guitar by Sat. Nite Duets). It's a pretty straightforward set of songs - each track consists of little more than a vocal, an electric guitar track, and a synthetic drum machine beat - but the album's attitude, breakneck delivery, and acute understanding of how messy the transition from teenager to grown-up can be make for a great listening experience. It's flippin' catchy, too. Read my review of Adult Teen here.

Best Tracks: Drive Anywhere // Take it All // Heart 2 Heart

Wednesday, December 21, 2016

Top 20 Songs of 2016 (10-1)


My top 10 songs of 2016 are listed below. Be sure to read numbers 20 through 11 first!

10) Drive Anywhere by Lisa Prank
(from Adult Teen)
The sound of your life hurtling headlong into the jaws of adulthood like a car speeding towards the edge of a cliff. A rushing thrill of a song with a kernel of time-waits-for-no-man melancholy hidden somewhere in the middle.

Friday, December 2, 2016

November Playlist: Winter's On The Phone

Hey everyone - it's December! But before you break out the Christmas hits, here are 10 non-Yuletide tracks that I really enjoyed listening to in November and that I hope you'll enjoy listening to right now.


1. Holy Hell It's Cold by Quiet Marauder

(from MEN)

I tend to revisit MEN (originally released in 2013 - read my three-year-old review of it here) every year at around this time, and this rib-tickling but also slightly sobering cut seemed like an appropriate choice given the current temperature outside.


2. Treaty by Leonard Cohen

(from You Want it Darker)

You Want it Darker - which it's probably safe to assume was written and recorded by a Leonard Cohen who knew that he would soon be dead - has a certain duality to it. Many of its songs make it sound like Len had made his peace with the world and was ready to go, but a couple of songs (including Seemed the Better Way and this beautiful number) suggest a certain amount of regret, a desire to go back and change something. More thoughts on You Want it Darker here.

Wednesday, November 30, 2016

Ruminations on Conor Oberst's Ruminations

Given that I'm a huge fan of Bright Eyes (especially Lifted and Fevers & Mirrors), it's perhaps odd that until a few weeks ago I'd never listened to anything Conor Oberst released under his own name. There have been almost half as many Conor Oberst albums (4) as there have been Bright Eyes albums (9), and yet it wasn't until the 9th of this month - the day we learned that Donald Trump would be the next President of the United States - that I bothered to buy one of them.


Ruminations came out last month, and it's *wonderful*. I quickly formed a closer bond with this album than I formed with either of the last two Bright Eyes LPs; Cassadaga and The People's Key were both fine records, but in my view they lacked the intimacy and feeling of Oberst's best material.