Showing posts with label little my. Show all posts
Showing posts with label little my. Show all posts

Friday, December 23, 2016

Top 10 Albums of 2016

Crikey, this was a hard list to make. So many ace albums had to be left off - I considered doing an 'honourable mentions' list as a way of recognising the albums that fell just barely outside my top 10, but that list could easily have included another 20 albums and I probably STILL would have had a crisis of conscience over any I missed out.

So instead of going down that road, I'd simply like to present my top 10 albums of 2016. These are the cream of the cream of the crop, and interestingly, two of them weren't represented at all in my Songs of 2016 list. Just goes to show that the whole is sometimes stronger than the sum of its parts, eh?

Once you've finished reading, feel free to tell me how wrong my opinions are on Twitter.

10) Still Valid by MJ Hibbett & The Validators

To call Still Valid a light-hearted album would perhaps be a touch misleading, given that it contains songs like Burn it Down & Start Again (about corrupt politicians) and The 1980s How it Was (about the hairspray whitewashing of a decade primarily characterised by poverty and nuclear terror). Still, MJ Hibbett's sense of humour always shines through, even - especially - when he's worrying about his age on tracks like Can We Be Friends? and That Guy. In fact, as I mentioned in my (and my mum's) review of Still Valid, Hibbett's lyrics have really helped me to stop worrying about the fact that I'm no longer in my early 20s.

Best Tracks: Can We Be Friends? // That Guy // We Did It Anyway


9) Adult Teen by Lisa Prank

Father/Daughter Records became one of my favourite record labels this year, and Lisa Prank's album Adult Teen is a big part of why (although I would also strongly recommend Air Guitar by Sat. Nite Duets). It's a pretty straightforward set of songs - each track consists of little more than a vocal, an electric guitar track, and a synthetic drum machine beat - but the album's attitude, breakneck delivery, and acute understanding of how messy the transition from teenager to grown-up can be make for a great listening experience. It's flippin' catchy, too. Read my review of Adult Teen here.

Best Tracks: Drive Anywhere // Take it All // Heart 2 Heart

Friday, July 1, 2016

June Playlist: This Ledge I'm On

Welcome to the second half of 2016, motherfuckers! As June is now over, here are 10 of the tracks I've been rocking on the regular over the past month...


1. It Was Christmas When I Fell Apart - Little My
(from Beeps)
Contrary to what this song's title might suggest, Little My's Beeps is a lovely, summery listen with loads and loads of fun pop moments. Read my review here.

Wednesday, June 29, 2016

My Favourite Albums of 2016 So Far

2016 is just about half-over, the last six months having rocketed past with the velocity of a drumstick that the guy on the stool wasn't gripping properly. Today, I thought I'd share ten of my favourite albums from the first half of the year, so that's exactly what I've done: find them all listed below (in alphabetical order, just in case these turn out to be the best albums of 2016 overall - I want to preserve a little bit of mystery for my end-of-year list!)

Adore Life - Savages

"Thrillingly confrontational...almost scarily compelling"

Standout Tracks: Evil // I Need Something New // T.I.W.Y.G.
Read More: Savage Orders


Amen & Goodbye - Yeasayer

"A colourful cornucopia of bouncy pop and blissed-out psychedelia"

Standout Tracks: Silly Me // Dead Sea Scrolls // Cold Night

Friday, June 17, 2016

Little My's Last Beeps

For a brief period in the mid-to-late noughties, it seemed like the surest route to indie acclaim was simply to form a band consisting of as many members as you could find. Groups like Los Campesinos! (7 people), Architecture in Helsinki (8 people), and Broken Social Scene (goodness knows) proved that more sometimes is better, with albums like Hold on Now, Youngster... and In Case We Die racking up high scores with the likes of Pitchfork, Stylus et al.

My experiences with these artists (all of whom are still active, although both AiH and Los Camps have fewer members nowadays so perhaps there's been a bit of streamlining in recent years) could be mapped into a kind of family tree: I first discovered Los Campesinos! when they supported Broken Social Scene at The Point in Cardiff, and in turn, it was a support slot at a Los Camps show that first brought Little My to my attention. They were another band with a larger-than-average list of members; according to their Wikipedia entry, Little My consisted of "nine core members, with up to 21 additional satellite members at any given performance". In fact, it wasn't so much a band as it was a collective of musically-inclined people from around Cardiff, kind of like the Welsh capital's very own answer to Broken Social Scene.

'But Joel,' I hear you cry, 'why are you referring to Little My in the past tense? Didn't they release a new album, like, less than a month ago?'


They did indeed, reader - it's called Beeps. and that's the album cover up there. Here's one of its tracks, entitled It Was Christmas When I Fell Apart: